I’ve been thinking a lot about pork, mostly because I just finished Julie Powell’s new book Cleaving: A Story of Marriage, Meat, and Obsession. 
Reactions to the memoir, Powell’s second book, have been mostly negative. Critics talk about Powell’s unrelenting narcissism, her solipsism, her unreliability as a narrator, and her all-too-frequent references to Buffy the Vampire Slayer.
I agree with all of the above, particularly about the Buffy references. I found one, an indirect quotation from Shakespeare’s The Merchant of Venice, particularly irksome because it was such a tease. I thought, upon first glance, Thank God! A real literary reference! Come to find, however, that the characters on Buffy apparently ask each other, “What’s the news on the Rialto?”; therefore, Powell and her husband ask each other that too. ARGH. For God’s sake, quote the PLAY, if only for variety.
More importantly, the book has an almost complete lack of structure and, towards the end, the manuscript appears to be unedited. Read the reviews on GoodReads for more on that, because I digress. Because all of this is not to say Cleaving isn’t worth reading: there’s some good stuff in this book.
I mean first of all, the stuff other reviewers didn’t like, like the gritty sex descriptions, are right up my alley. Note that not all of them are effective: I think Powell wrote most of them with a lot of shame and self-judgment, which makes reading those kind of painful. But there are some sex moments that are joyous, where she thrills to her own naughtiness, and those end up being rather fun.
There’s a chilling description of the pig slaughter (put on every fall by the CIA for its students) that manages to be both graphic and poignant— although not enough to put me off pork, as you’ll find if you read on. And there are some great moments at Fleisher‘s, where Powell’s prose starts to get lyrical and turns to almost turns to poetry.
But my favorite part of the book is undoubtedly Powell’s descriptions of butchering obscure cuts of meat and then providing recipes for them: blood sausage, liverwurst, matambre, pig cheeks.
Yes, pig cheeks. “Turns out,” Powell writes, that pig cheeks “are some of the most luscious things imaginable.”
As soon as I saw the recipe for pig cheeks, I knew I had to make them as soon as possible.
I don’t really know why I had such a visceral, vital reaction, but I have a suspicion. I mean, I went through a braising phase when I had a big crush on osso bucco, but that was nothing like this feeling of absolute desire that I had to make pig cheeks as soon as possible— like, yesterday. I don’t know anyone who makes pig cheeks— anyone who’s ever eaten them— anyone who even sells them. I was too late for the short ribs craze, and oxtail is a British classic, but pork cheeks? I could do it before anyone else does! When Powell hinted that they might be hard to get (“if you can ever get your hands on them,” she writes, “you can prepare them just so) it was so on.
I mean, pig cheeks. Motherfucker. It was like I was BORN to braise pig cheeks. Now I just needed to figure out where I was going to get them.
And then I knew. I called George at Seabreeze Farm.
This post really should be called “Love Song to George of Seabreeze Farm.” Seriously, my life has been better, culinarily speaking, since I met George at the West Seattle Farmer’s Market a few years ago. It started when I wandered by his stall and bought some chicken stock. If you read my first-ever blog post to this site, you already know all about my trials and tribulations when it comes to stock. Suffice to say that stock is my nemesis. I just can’t get it right.
George’s stock is like chicken jello. It is seriously the most beautiful thing in the world. And after I read Real Food: What to Eat and Why, by Nina Planck, and decided that I would henceforth drink raw milk whenever possible, I realized that George sells raw milk, raw milk cheese, and recently, to my utmost delight, raw milk butter. It’s like I know now what heaven will be like.

George also makes wine, and I got to stomp grapes in his barn twice. But that’s another blog entry of felonious-ness. Or two.
And his chickens are really free-range. I know because I walked through their paddock to get to his barn for a candle-lit wine-tasting. Did I say that I know what heaven will be like? It will be like one big long candle-lit wine-tasting in the barn at Seabreeze Farm on Vashon Island where I can eat the nine or so different kinds of pate they make and then go get some home-made chicken stock out of the little serve-yourself store to take home for risotto.
And of course, it’s thanks to George I have a little jar of pig lard in my fridge.
Anyway . . . I called George and he told me to e-mail his butcher, which made me feel important. I e-mailed the butcher who e-mailed me back confirming he could and would indeed save me the pig cheeks, which doubly swelled my sense of self-importance. (My self-importance, as you might be able to tell from other blog entries, has the ability to grow exponentially.)
So on Sunday, I picked up my pig cheeks at the Farmer’s Market.
As well as a few other items. Most notable is the package wrapped in brown– the one with no writing and wrapped with tape. You want to know what’s in there? The most decadent pork chops you’ve ever had in your life.
I bought two last week and cooked them for lunch. (Incidentally I used the recipe for pork chops in Cleaving, knowing I had pork of a quality that would hold up to the elegant, simple recipe.) I browned them first in raw-milk butter and olive oil, then finished them off in a 375 degree oven.
So. Fucking. Decadent.
I also bought a tub of ricotta fresca (made with raw milk, of course!) for midnight snacks, I plan to slather it thickly on slabs of a baguette from Bakery Nouveau, toast them, then crack fresh pepper over it.
Life is good when you have good food.
As I write this, the pork cheeks are now out of my refrigerator and simmering in my oven. I will bring them to a Winter Solstice party at my friend Lori’s house, because if anyone will appreciate pig cheeks, it’s my friend Lori.
This blog also might be titled “Love Song to My Friend and Colleague Lori,” because Lori lives in a farmhouse in Columbia City with her partner, Becca, that is both beautiful AND completely remodeled using all salvaged material. Lori has an herb garden that rivals the one I had when I was married AND a vegetable garden (which I’ve never been able to swing.)
Plus, Lori makes her own cheese (chevre, feta, and fromage blanc) with raw milk from her goats. When I had dinner at her house this summer, I got to feed one of the goat babies with a bottle. Lori also raises and butchers her own rabbits, from which she makes a gorgeous rabbit liver pate and rabbit confit.
Did I say I know what Heaven will be like? Heaven will be sitting on Lori’s deck overlooking her garden, a glass of wine in my hand, eating a dish of strawberries she grew in her garden sprinkled with balsamic vinaigrette.
It’s dark now, and my kitchen smells like meaty red wine deliciousness. I’m about to make polenta to serve with it. Although if I had to do it again, I’d serve it with a risotto, because that’s the only dish sensuous enough to match the red unctuous silkiness of what is simmering in my oven.
Did I say life is good when you have good food?
Life is good when you have good friends to share your food with.
Comments 3
I have a confession… I love Buffy the Vampire Slayer! So references to any of it would spark my interest. However, to butcher Shakespeare… oh wait hasn’t that been done a time or two? lol But I do see your point and really believe that most everything comes from fragmentations of his plays.
So, I see you were presented with a challenge Ms. thang’ on pig cheeks and then you were hooked! I don’t think I have that kind of courage… don’t get me wrong I love pork, but pig cheeks?
Reading further I was blow away… The desire to develop your skills is so strong in me! I really need to read more of your culinary talents in your older posts… I am good but you my friend are the Decadent one! I love your description in the preparation of food and even though some of items like pate, rabbit confit and a couple of the raw items have never met my palette with enthusiasm, I can appreciate your descriptions of them. It makes me want to try and that is saying a lot!
Happy Winter Solstice!
Merry Meet, Merry Part and Merry Meet again.
Posted 21 Dec 2009 at 8:49 pm ¶Tanya, thanks for your generous response!
Speaking of “butchering” Shakespeare– an early draft had a tangent on Titus! After talking about the scene in the book where Powell describes the CIA-sponsored-pig-butchering, I started talking about how even though it was graphic and poignant, it failed to put me off pork. I’m going to paste it below because I know you know Garber, the play, AND the film version!
“Then again, nothing seems to come between me and meat-eating, not even the scene in Julie Taymor’s Titus , where Anthony Hopkins, as Titus, slaughters Chiron and Demetrius, Tamora’s son’s in vengeance (they rape his daughter Lavinia, then cut out her tongue and slice off her hands.) It’s so horrifying that Marjorie Garber, my second-favorite Shakespearean critic, said it turned her, a life-long meat-eater, into a vegetarian. It failed to have the same impact on me, although I did have to turn my head away when Titus calls for Lavinia to hold the bowl to catch the blood as he slits their throats. Then he bakes them into two twin meat pies and feeds them to their mother.”
Here’s the scene in case anyone wants to see it.
Of course, where the blog post ended up, with a celebration of food and friendship, a meditation on the ultimate revenge fantasy didn’t really seem to match. So I cut that part out.
But EVERYTHING has been making me think of Titus these days: I finally saw Inglorious Basterds and all I could think about were the similarities to the play. Have you seen it? If not, it’s BRILLIANT. I think it would be perfect fodder for the post-modern section in the film/creative writing class. And it is definitely a revenge-fantasy too.
If you’d seen it I’d love to discuss it with you!
Happy Holidays to you! Hope you’re getting all your Christmas shopping done . . . and getting to WRITE in Creative Writing!
Thanks again for your sweet comments! They mean a lot to me.
Peace,
Jen
Posted 21 Dec 2009 at 10:10 pm ¶I agree with you on how disturbing the Taymor’s interpretation is in the last act last scene was. Actually, I take that back most of the film is equally unsettling and after watching it I had a new appreciation for Clockwork Orange. I mentioned something to that effect in one of my papers to you regarding Titus as a whole. However like you, I have not been thrown off meat either. I love my meat as bloody as I can get it. Does that make me disturbing as well?
Have you seen the BBC’s version of the very same scene? I found that a bit more troubling because Lavinia uses her mouth to balance the bowl between her stomps (shivers at the thought).
It’s funny that you mentioned Inglorious Basterds because my husband was just asking me to order it on Netflix. I’ll let you know when I see it.
Happy Holidays right back at you! I will be making prime rib for my herd, yummy, MEAT!
By the way, how did the pig cheeks turn out? Inquiring minds want to know…
Posted 22 Dec 2009 at 9:28 am ¶Trackbacks & Pingbacks 1
[...] and a tall bottle of sake. And of course, my most prized culinary possession— a glass jar of pure pork lard from Sea Breeze [...]
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